A The Litany of the Saints (Litaniae Sanctorum) is a traditional chant in the Catholic Church that praises God and his saints. Its first recorded use was in 590 when Pope St. Gregory prescribed its usage for a public procession of thanksgiving. The Litany is a call to remember those who have gone before us and to ask their intercession. The form given below is a long standing traditional form of the Litany Saints published in the Roman Ritual, Latin-English edition in 1952. A partial indulgence is attached to the Litany of the Saints. Litaniae Sanctorum – The Litany of[…]

Herman Contractus (1013 – 1054) – an 11th-century Benedictine monk and scholar – has been traditionally credited with the composition of several popular Marian antiphons, including Ave Regina Cælorum. The hymn praises Our Lady, acknowledging her Queenship over heaven and angels, and extolling her unparalleled beauty and favor with God. It also acknowledges her as the mediator between men and Our Lord Jesus Christ, as it asks her to pray for us to Our Lord. “Dignare me laudare te, Virgo sacrata! Da mihi virtutem contra hostes tuos.” “Vouchsafe that I may praise thee, O sacred Virgin. Give me strength against[…]

“There is a venerable tradition connected with this joyous anthem.  It is related that a fearful pestilence raged in Rome, during one of the Easters of the pontificate of St. Gregory the Great.  In order to propitiate the anger of God, the holy Pope prescribed a public procession of both people and clergy, in which was to be carried the portrait of our blessed Lady painted by St. Luke.  The procession was advancing in the direction of St. Peter’s; and as the holy picture, followed by the Pontiff, was carried along, the atmosphere became pure and free from pestilence.  Having[…]

Victimae Paschali Laudes is one of the medieval sequences that were preserved in the Missale Romanum published in 1570 after the Council of Trent (1545-1563), this poetic liturgical hymn continues to be sung at the Tridentine Mass on Easter Sunday and through its Octave. The Easter sequence, attributed to Wipo of Burgundy (✞ 1048). This ancient chant tells the story of death and life locked in a struggle, wherein Christ, the Paschal victim, victorious over death, reconciles us to the Father. It tells the story of Mary Magdalene, who upon finding the empty tomb of the risen Christ and of finding the[…]

“Veni Creator Spiritus” is one of the most widely used hymns in the Church, attributed to Rabanus Maurus (776-856). It is chanted at Vespers, Pentecost, Dedication of a Church, Confirmation, and Holy Orders and whenever the Holy Ghost is solemnly invoked. A partial indulgence is granted to the faithful who recite it. A plenary indulgence is granted if it is recited on January 1st or on the feast of Pentecost. Veni, Creator Spiritus, mentes tuorum visita, imple superna gratia quae tu creasti pectora. O Come, Creator Spirit, come; The souls which are Thine own invade; And with supernal grace inflame[…]