The Magnificat is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos. The text of the canticle is taken directly from the Gospel of Luke (1:46–55) where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. An explanation of the Canticle Magnificat is given below from the “Devout instructions on the Epistles and Gospels for the Sundays and holydays” by Leonard Goffiné (1648-1719). In this hymn Mary with joy praises God, the Lord, that He has regarded her humility, and[…]

Te Deum laudamus, ( Latin: “God, We Praise You”, ) is an Early Christian Hymn of praise. Traditionally ascribed to Saint Ambrose and Saint Augustine. In the Roman Breviary it is entitled as “Hymnus SS. Ambrosii et Augustini”. In the traditional office, the Te Deum is sung at the end of Matins on all days when the Gloria is said at Mass; those days are all Sundays outside Advent, Septuagesima, Lent, and Passiontide; on all feasts (except the Triduum) and on all ferias during Eastertide. A plenary indulgence is granted, under the usual conditions, to those who recite it in[…]

“Sacris solemniis” is one of the five beautiful hymns St. Thomas Aquinas (1225-1274) composed in honor of Jesus in the Blessed Sacrament at specific request of Pope Urban IV (1261-1264) when the Pope first established the Feast of Corpus Christi in 1264. Today Sacris Solemniis is used as a hymn for the Office of the Readings for Corpus Christi. The last two stanzas are the text for the hymn Panis Angelicus. “Sacris solemniis” Latin and English Lyrics Sacris solemniisiuncta sint gaudia,et ex praecordiissonent praeconia;recedant vetera,nova sint omnia,corda, voces, et opera. At this our solemn feastlet holy joys abound,and from the[…]

“O for your spirit, holy John, to chastenLips sin-polluted, fettered tongues to loosen;So by your children might your deeds of wonderMeetly be chanted.” Paolo Diacono (Paul the Deacon) (ca. 720 – ca. 799) a monk of Monte Cassino and a friend of Charlemagne, had composed, in honour of St. John the Baptist, the hymn: “Ut queant laxis.” In the thirteenth century the Benedictine monk Guy of Arezzo noticed that the notes sung on the first syllabes formed the sequence of the first six degrees of the scale. He named each degree by the corresponding syllable: “Ut, re, mi, fa, sol,[…]

“Inviolata es Maria” is an traditional Gregorian chant in honor of the Blessed Virgin Mary. This composition goes back to 11th century. INVIOLATA, integra, et casta es Maria, quae es effecta fulgida caeli porta. INVIOLATE, spotless and pure art thou, O Mary Who wast made the radiant gate of Heaven. O Mater alma Christi carissima, suscipe pia laudum praeconia. Holy mother of Christ most dear, receive our devout hymn and praise. Te nunc flagitant devota corda et ora, nostra ut pura pectora sint et corpora. Our hearts and tongues now ask of thee that our souls and bodies may be[…]

By Fr. Dominique Bourmaud, August 2010 edition of the The Angelus magazine. The Mozart Effect Most classical music lovers will have heard of The Mozart Effect. Don Campbell, author of this book, explains that music can help transform health, education, and well-being. Music was found to reduce stress, depression, or anxiety and improve memory. Mozart was seen to drastically lessen epileptic fits in a comatose state, help direct rats out of a maze, and make cows yield more milk. The tastiest results occurred when Japanese yeast listened (!) to Mozart. The discoverer of the Mozart effect comes from overseas. He has[…]