Sacris sollemniis Latin Hymn by St Thomas Aquinas

Sacris solemniis

“Sacris solemniis” is one of the five beautiful hymns St. Thomas Aquinas (1225-1274) composed in honor of Jesus in the Blessed Sacrament at specific request of Pope Urban IV (1261-1264) when the Pope first established the Feast of Corpus Christi in 1264. Today Sacris Solemniis is used as a hymn for the Office of the Readings for Corpus Christi, as well as during the procession of that day. The last two stanzas are the text for the hymn Panis Angelicus. “Sacris solemniis” Latin and English Lyrics Sacris solemniisiuncta sint gaudia,et ex praecordiissonent praeconia;recedant vetera,nova sint omnia,corda, voces, et opera. At[…]

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Mater Dolorosa

Stabat Mater Dolorosa

Stabat Mater Dolorosa is considered one of the seven greatest Latin hymns of all time.  It is based upon the prophecy of Simeon that a sword was to pierce the heart of Our Lord’s mother, Mary (Lk2:35). The hymn title means “‘Stood the mother, full of grief’.”  In Latin, the hymn consists of twenty couplets which describe the Sorrows of the Blessed Virgin at the Cross.  The Stabat Mater’s popularity is reflected by its use in the popular devotion of the Stations of the Cross. The message of the Stabat Mater focuses on the spiritual and emotional bond which unites Mary and all[…]

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Magnificat - The Canticle of Mary

Magníficat ánima mea Dóminum

The Magnificat, the canticle of the Incarnation, recalls to us each day that God has stripped Himself of His glory to clothe Himself in the livery of poor and suffering humanity. “He raised [Mary] above all others because she declared herself to be the lowest of all creatures. When He made for Himself a dwelling place on earth, it was not in the palaces of kings. He chose poor, humble parents and all that the world disdained in order to cast down its pomp. This was the proper character of divine power in the new alliance: to make its virtue[…]

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Dies Irae

Dies Irae (The Day of Wrath)

The Last Judgment, Final Judgment, Day of Judgment, Judgment Day, or The Day of the Lord in Christian theology, is the final and eternal judgment by God of all nations. It will take place after the resurrection of the dead and the Second Coming of Christ (Revelation 20:12–15). The doctrine, iconographic depiction and musical compositions of the “Last Judgment” are drawn from many passages from the apocalyptic sections of the Bible, but most notably from Jesus’ teaching of the strait gate in the Gospel of Matthew and also found in the Gospel of Luke. Dies Irae (The Day of Wrath)[…]

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Improperia “Popule meus, quid feci tibi?”

Improperia “Popule meus, quid feci tibi?”

The Improperia are the reproaches which in the liturgy of the Office of Good Friday the Saviour is made to utter against the Jews, who, in requital for all the Divine favours and particularly for the delivery from the bondage of Egypt and safe conduct into the Promised Land, inflicted on Him the ignominies of the Passion and a cruel death. It is during the Adoration of the Cross that these touching remonstrances are rendered by the choir. In all they consist of three distinct parts. Of these the third — composed of the antiphon “Crucem tuam adoramus”, the first[…]

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Gregorian Requiem Chants of the Requiem Mass

Libera me, Domine, de morte æterna

Líbera me (“Deliver me”) is a Roman Catholic responsory that is sung in the Office of the Dead and at the absolution of the dead, a service of prayers for the dead said beside the coffin immediately after the Requiem Mass and before burial. The text of Libera me asks God to have mercy upon the deceased person at the Last Judgment. Libera me is begun by a cantor, who sings the versicles alone, and the responses are sung by the choir. The text is written in the first person singular, “Deliver me, O Lord, from eternal death on that[…]

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Te Deum laudamus Hymn

Te Deum laudamus

Te Deum laudamus, ( Latin: “God, We Praise You”, ) is an Early Christian Hymn of praise. Traditionally ascribed to Saint Ambrose and Saint Augustine. In the Roman Breviary it is entitled as “Hymnus SS. Ambrosii et Augustini”. In the traditional office, the Te Deum is sung at the end of Matins on all days when the Gloria is said at Mass; those days are all Sundays outside Advent, Septuagesima, Lent, and Passiontide; on all feasts (except the Triduum) and on all ferias during Eastertide. A plenary indulgence is granted, under the usual conditions, to those who recite it in[…]

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Liturgical hymns in Gregorian ChantLiturgical hymns in Gregorian Chant

Te Sæculorum Principem: Thou, Prince of all ages

Te Sæculorum Principem (Thou, Prince of all ages) is a very moving hymn, expressing love and desire for Jesus Christ and His reign over the hearts and minds of men, but also over society at large. This is a doctrine that has always been taught by the Catholic Church: namely, that Jesus Christ should reign even in the public sphere. His laws should be helped and fostered by the civil laws, which in turn should never contradict the Divine Law. Pope Pius XI and Pope Pius X, and Archbishop Lefebvre, fought against the perfidious error which spread among Church men,[…]

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Filiae maestae Jerusalem by Antonio Vivaldi

«Filiæ mæstæ Jerusalem», RV 638 by Antonio Vivaldi (1678 – 1741)

“And there followed him a great multitude of people, and of women, who bewailed and lamented him. But Jesus turning to them, said: Daughters of Jerusalem, weep not over me; but weep for yourselves, and for your children. For behold, the days shall come, wherein they will say: Blessed are the barren, and the wombs that have not borne, and the paps that have not given suck. Then shall they begin to say to the mountains: Fall upon us; and to the hills: Cover us. For if in the green wood they do these things, what shall be done in[…]

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Song of the Blessed Virgin Mary: Magnificat

The Magnificat – Canticle of the Blessed Virgin Mary

The Magnificat is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos. The text of the canticle is taken directly from the Gospel of Luke (1:46–55) where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. An explanation of the Canticle Magnificat is given below from the “Devout instructions on the Epistles and Gospels for the Sundays and holydays” by Leonard Goffiné (1648-1719). In this hymn Mary with joy praises God, the Lord, that He has regarded her humility, and[…]

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Rorate Mass

Rorate Cæli Mass & Hymn of the Catholic Faith

Did your community have at least one Rorate Mass this Advent? Rorate Cæli is one of the most beautiful Hymns of the Catholic Faith. The text of this piece is a faithful rendition of the verse from the Book of Isaiah (Isaiah 45:8) in Vulgate and other sources. It is a reverent and humble supplication to the mercy of God. It is a hymn of repentance and sorrow. The following recording comes from the Trappist Abbey of Citeaux in France. To listen, tap the play button. Latin English Rorate Cæli desuper,Et nubes pluant justum. Drop down dew, ye heavens, from aboveAnd let the clouds[…]

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Christ the King

Christus vincit, Christus regnat, Christus imperat!

The Feast of Christ the King – Domini Nostri Jesu Christi Regis – was established by Pope Pius XI in 1925 in the encyclical Quas Primas, as an antidote to secularism, a way of life which leaves God out of man’s thinking and living and organizes his life as if God did not exist. The feast is intended to proclaim in a striking and effective manner Christ’s royalty over individuals, families, society, governments, and nations. “If to Christ our Lord is given all power in heaven and on earth; if all men, purchased by his precious blood, are by a[…]

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