The Litany of Loretto was introduced into the Basilica di Santa Maria Maggiore by Cardinal Francesco Toledo in 1597; and in 1613, Pope Paul V ordered it to be sung in that church, morning and evening, on Saturdays and on vigils and feasts of the Madonna. “From the first day of next October, therefore, until the second day of the November following, in every parish and, if the ecclesiastical authority deem it opportune and of use, in every chapel dedicated to the Blessed Virgin – let five decades of the Rosary be recited with the addition of the Litany of[…]

Herman Contractus (1013 – 1054) – an 11th-century Benedictine monk and scholar – has been traditionally credited with the composition of several popular Marian antiphons, including Ave Regina Cælorum. The hymn praises Our Lady, acknowledging her Queenship over heaven and angels, and extolling her unparalleled beauty and favor with God. It also acknowledges her as the mediator between men and Our Lord Jesus Christ, as it asks her to pray for us to Our Lord. “Dignare me laudare te, Virgo sacrata! Da mihi virtutem contra hostes tuos.” “Vouchsafe that I may praise thee, O sacred Virgin. Give me strength against[…]

“There is a venerable tradition connected with this joyous anthem. It is related that a fearful pestilence raged in Rome, during one of the Easters of the pontificate of St. Gregory the Great.  In order to propitiate the anger of God, the holy Pope prescribed a public procession of both people and clergy, in which was to be carried the portrait of our blessed Lady painted by St. Luke.  The procession was advancing in the direction of St. Peter’s; and as the holy picture, followed by the Pontiff, was carried along, the atmosphere became pure and free from pestilence.  Having[…]

Ad maiorem Matris Gloriam – For the Greater Glory of the Mother The 6th century Marian devotion, attributed to St. Romanos the Melodist, is one of the greatest marvels of Greek religious poetry, with a richness of imagery that is the despair of any translator. The title “Akathistos” literally means “non-sitting,” because all remain standing while it is sung. When the enemies attacked Constantinople, the citizens would hold a cross procession on the city walls carrying the Christian sanctities and reading out the Akathist Hymn to the Mother of God. The Akathist hymn was complemented by a new introduction in[…]

Victimae Paschali Laudes is one of the medieval sequences that were preserved in the Missale Romanum published in 1570 after the Council of Trent (1545-1563), this poetic liturgical hymn continues to be sung at the Tridentine Mass on Easter Sunday and through its Octave. The Easter sequence, attributed to Wipo of Burgundy (✞ 1048). This ancient chant tells the story of death and life locked in a struggle, wherein Christ, the Paschal victim, victorious over death, reconciles us to the Father. It tells the story of Mary Magdalene, who upon finding the empty tomb of the risen Christ and of finding the[…]